2019, SHORTlisted for the Ned Kelly Award for Best First Fiction

A nail-biting thriller that turns popular true-crime such as Serial and Making A Murderer on its head, Greenlight will shock with twists and turns you’ll never see coming.

 

2021, SHORTLISTED FOR THE INTERNATIONAL THRILLER AWARD FOR BEST ORIGINAL PAPERBACK

One million viewers witness a popular TV presenter commit suicide live on air – so why is his twin brother convinced it was murder?

An outstanding debut from an exceptional new talent, this is an absorbing thriller told with heart and wit. Morality and ambition clash on a journey full of twists as Greenlight takes readers from the cut-throat media landscape to a sleepy town full of secrets. Confident, compelling and with a surprise around every corner, I loved it.
— Jane Harper, author of THE DRY
Thought-provoking and densely plotted, Greenlight is compelling and timely.
Sydney Morning Herald
A clever, heart-racing read. Fresh and contemporary.
Courier Mail
A killer premise, genuinely surprising twists and turns and an original, deeply memorable protagonist.
— Dervla McTiernan, author of THE RUIN
A hugely-original premise, a guilt-ridden protagonist, a plot that won’t lie down. A great debut.
— Chris Hammer, author of SCRUBLANDS
 
Either Side of Midnight is a gripping, gritty thriller with an ingeniously shocking premise and twists and turns you’ll never see coming!
— Liane Moriarty, bestselling author of BIG LITTLE LIES
A complex and hugely original page-turner. Stevenson has officially made my auto-buy-author list.
— Christian White, bestselling author of THE NOWHERE CHILD
The male relationships in Either Side of Midnight are layered in a way that transcends the crime genre. Funny, disturbing and unpredictable.
— Jack Heath, bestselling author of HANGMAN
Either Side of Midnight, which trips between light and dark, city and country, and twists the reader into knots, is for fans of solid Australian crime authors like Chris Hammer, Christian White and Candice Fox.
Books and Publishing
Stevenson writes solid Australian crime thrillers with a command of psychology and suspense and a dark comic edge. That the series extends its tendrils into satire – it neatly skewers the culture of our television industry – only adds to its appeal.
The Age